Original Artwork By KerrSmith Design
THANK YOU FOR YOUR INTEREST IN AUDITIONING
FOR THE WORLD PREMIERE OF OUR SHOW!
Directed by Richard Choate
Choreographed by Michelle Mejaski
Vocal Direction by Deena Kamm
Music and Lyrics by Deena Kamm
Script by Anne Fenn
OPEN AUDITIONS
Saturday, JAN 18th, 12:30–4:30
Sunday, JAN 19th, 2:00–5:00
Audition location: Holy Communion Church 1245 SE 3rd St, Bend, OR
Open call for performers who act, sing, and dance for this brand new musical.
For initial auditions, please sign up for a time slot on either Saturday or Sunday. Prepare to sing 16–32 bars of a song (approximately 1 minute), preferably from a musical. This is an upbeat, fun show with lots of big, dynamic characters, so choose your audition song accordingly. An accompanist will be available for your sheet music, and/or a speaker system if you’d like to use a backing track with your phone. Please bring your headshot and resume (if available) and be prepared to provide any dates you are NOT available through August.
A complete list of characters and show information is linked below.
CALL BACKS
Monday, JAN 20th, 6:00–9:00 Movement Audition
Wednesday, JAN 22nd, 6:00–9:00 Scenes & Songs
Audition location: Holy Communion Church 1245 SE 3rd St, Bend, OR
If you are invited to Movement Callbacks, come prepared to learn choreography as you will be dancing. You do not need to be an experienced dancer for most roles—we just need to see that you can move and learn dance steps. Please wear appropriate dance shoes or sneakers.
If you are invited to Scenes and Singing Callbacks, all sides and music materials will be provided to you at least one day in advance so you can prepare and practice.
PERFORMANCES
10 Bend Performances
End of JULY into early AUGUST 2025
Exact dates and location are currently being finalized. Check back for updates.
ALL ROLES ARE OPEN
Except the role of Addy Finch
ADDY FINCH (30s-50s) Founder of Spectrum Services Couriers. A kind soul who needs to learn to stand up for herself. This part has been cast.
LIZ FINCH (50s-70s) Addy's narcissistic mother, whose love is highly conditional at best. Range: Eb3 - Bb4
KATHY MUNDINGER(30s-60s) Professional con-artist who presents herself as a successful entrepreneur. Liz's new BFF. Range: F#3 - F#5
GIGI FINCH (20s-30s) Addy's beloved niece who is on the autism spectrum and for whom Addy started Spectrum Services. Gigi has an impeccable memory for details. Range: F#3 - F5
LEO (30s-40s) Addy's upbeat, loyal, and always optimistic LGBTQ BFF. Range: G#3 - C5
DR. STONE (60s+) Addy's eccentric Ear, Nose & Throat doctor to the stars. Range: D2 - A4
JAMES MIGHTON (30s-50s) Friendly financial auditor, Addy's possible love interest. Range:
VINCE (20s-30s) Courier at Spectrum Services, loves musicals. Range: C2-A3 or C3-A4
CURT (20s-30s) Courier at Spectrum Services, loves trains. Range: B1 - A4
JESSIE (20s-30s) Courier at Spectrum Services. Range: D3 - Bb4
ENSEMBLE 1 (20s-60s, any gender) - multiple characters throughout. Range: G3 - F#5
ENSEMBLE 2 (20s-60s, any gender) - multiple characters throughout. Range: G3 - C5
ENSEMBLE 3 (20s-60s, any gender) - multiple characters throughout. Range: C3 - G4
DR. FROST (30s+) unhelpful psychiatrist hired by Liz. Range: F3 - Bb5
BEATBOXER - (20s-30s), Courier at Spectrum Services. This character doesn't speak or sing. Must be able to freestyle beat box over songs like an instrument.
OVERVIEW
VOICELESS: A MUSICAL is a new theatre piece created by Deena Kamm, a voice/music coach, performer, and composer located in Bend, OR, and Anne Fenn, a Toronto-based comedy writer/screenwriter and professor. The story is based on Fenn’s real-life experience with muscle tension dysphonia (a functional neurological disorder), which caused her to lose her speaking voice for a year with no obvious physical explanation.
Our show features four female leads and three (+) neurodiverse characters, challenging the traditional norms of the entertainment industry and celebrating their voices in a way that resonates with contemporary culture.
SYNOPSIS
The story of VOICELESS: A MUSICAL is centered around Addy, founder of Spectrum Services, a small courier company that employs people on the autism spectrum, including Addy’s beloved niece, Gigi. Together they have created an ideal, fun-filled workplace; they love their jobs almost as much as they love each other.
Addy holds all her tension in her throat and has been struggling to figure out what's going on as she fights to keep Spectrum Services afloat financially and repair her fractured relationship with her narcissistic mother, Liz. To save her company and please her mom, Addy agrees to participate in a Shark Tank-type competition with her mom’s new BF, Kathy, a con artist who presents herself as a successful entrepreneur.
The event is a total disaster. Addy ends up completely losing her speaking voice, and Kathy uses the opportunity to start taking over Spectrum Services. Meanwhile, Addy seeks the support of the eccentric ENT doctor, Dr. Stone, who reveals layers to voice she’d never imagined, including chakras and the intimate relationship between the mind and body. To her amazement, Addy discovers that even though she can’t talk, she can still sing!
But real life ain’t a Broadway musical, and things go from bad to critical for Addy. When Gigi goes missing, Addy must finally speak up and save her beloved niece, her business, and herself. Even if it means risking her relationship with her mother for good.
A heartfelt thank you to everyone who attended the workshop performances of Voiceless: A Musical as an audience member! We deeply appreciate your support and the valuable feedback you provided. We're currently making another round of changes, many of which were inspired by your input on the anonymous feedback forms. Thank you for helping shape this production!
A special LOUD shout-out to our incredible casts and crews from both the table reads and workshop performances over the last 16 months. We couldn’t have made it this far without your dedication, time, and talent. We are truly forever grateful.
Here are some behind-the-scenes photos that give a small glimpse into how we've arrived at this exciting stage in the development of our brand new, huge musical.
